In what ways does you media product use, develop or challenge forms and conventions of real media products?
The music video I created conforms to some of
Andrew Goodwin's ideas on music videos, such as the fact that there is a link
between the visuals and the lyrics. This is relevant to my product as I have
created literal visual representations of the words in the song. For example, a
close up of my models hand is used as she touches leaves on a tree, which could
be linked to the lyrics: “give me your hand and I’ll hold it”. The pace of my
music video might also link to Goodwin’s theory that music and visuals also
intertwine at times. The song I chose “People Help The People” by Birdy is of
slow tempo, therefore when editing my music video, I ensured to keep a slow
pace, making sure the cuts of shots were on the beat, and didn’t contradict the
melody of the song. The fact I filmed my music video with a slow mo effect
might also be what made the pace so well fitted with the song.
Additionally, Goodwin states that music videos
might also be used to amplify emotions and moods, without completely
illustrating the song. In terms of this suggestion, my music video conforms
perfectly, due to how the sad mood and sense of loneliness is displayed by both
characters in my narrative, capturing the essence of the song, whilst creating
a completely new storyline. This grasps the audience’s attention, keeping their
interest the whole way through, until the two characters paths cross at the end
of the video; where it is revealed they are mother and daughter.
In terms of the representation, I attempted to
create a sense of innocence and freedom within my music video. I did this
essentially using mise-en-scene. For instance, by filming the majority of the
video in the woods and in meadows, created a feeling of carelessness, which was
essential to be portrayed as it fit into the storyline which hints that the
young girl had been out all night/day, whilst her mother sat at home worrying.
Another way this was portrayed would be in the costume and make up of my model.
Dressing her in a flouncy dress, with small brown boots and a pale, clear
complexion gives an essence of childhood, reinforcing the idea of the character
being care free. This idea complements my song choice as within it are
references to childhood memories that could make audiences feel nostalgic: “you
kissed the girls and made them cry”.
My music video fits into the indie folk music genre,
due to the footage within my product echoing many shots used in music videos
for artists such as Birdy and Ellie Goulding. An example of this is my focus on
nature. Wide angle long shots of the sun peering through the trees and bushes
towards the camera are typical shots that are used in order to create a calm
feel to the video, as the songs usually aim to make the listener feel peaceful
and content – in contrast to perhaps screamo music that aims to make the
listener feel aggressive and tense.
My focus on locations is what makes my music video
so visually pleasing. Finding a country cottage to film my last scenes in helps
to target my video at the right audience. Those who listen to Indie Folk music
will enjoy the outdoors and will also have an interest in country music.
Therefore, the locations within my video are easier for my audience to identify
with. On the other hand, those who listen to Indie Folk music who live in city
areas might find great joy in enduring within footage outside of their normal
environment, creating a sense of escapism. My video would essentially appeal to
young girls, those from 12-24. This is because the artist Birdy is in fact only
16 years of age. Although her vocals do not necessarily portray this, her
lyrics do – therefore largely appealing to those of a similar generation. In
result, I carefully picked my main actress to appear as a young girl, small in
size and petite. This is so I could ensure that my audience would feel a
personal identification with my actress, helping them to feel more engaged with
the narrative – which also means my video applies to Bulmer and Katz' Uses and
Gratifications theory.
My video reinforces the concept of how the actions
you make have an impact on other people’s lives as well as your own, in the
form of a linear narrative. The story begins at the start of the young girls
journey home, in which we see her skipping and enjoying the walk in a playful
manner – reinforcing my concept of childhood. However, the restrictive
narrative ensure that occasional shots to a different location where an older
woman appears to be worriedly looking out of a window are shown; accompanied by
shots of the main character stepping out of the sunlight and into the shadows
forebode the negative ending to her travel home. This could make my story
slightly abstract, as it is not until the end that it’s revealed this woman is
the young girl’s mother; who has been eagerly waiting her arrival home - The
use of the sun reflecting through the trees and grass and onto her face gives
the character a positive aura, making audiences feel sympathetic for her during
her argument with her mum.
Magazine Advert
Similarly to my music video, my magazine advert conforms to the conventions of
real-media products in relation to the Indie Folk genre. The artists name is
written clearly at top, ensuring to grasp the attention of fans Birdy. Her name
is written in the same way it is on the Digipak – this creates a House Style
and a common theme – so the artists products are easily identified each time.
The title of the album is diagonally places across the page, so that it sticks
in the readers memory. I featured five-star ratings and quote such as: “Quite
Beautiful” and “Mesmorising Music” by popular newspapers such as The Guardian
and The Times, in order to give the album a feeling of success, which audience
members will appreciate as they will know spending their money on this album
will not be of waste. The language I used to describe the album fit into the
genre, as Birdy’s target audience will enjoy soft and atmospheric music, which
I feel the words I have used represent. The image of the old 50’s radio also
fit into the theme of my music video, as it is set in that era and also
conforms to the ‘vintage’ fashion that my target audience will appreciate. I
created one in portrait and one in landscape; this is because I wanted to
ensure the album could be advertised I various places, for example, a bus stop
advert in portrait and also perhaps a billboard in landscape.
Digipack Cover
My Digipak maintains this vintage
style with the application of tints and filter lights to the photographs I took
when filming. Two of the images are of my main actress walking through the
woods looking innocent and gentle. This conforms to the typical representations
of Indie Folk artists, who are often portrayed as angelic. Another photo is of
my actress looking into her reflection in the mirror, whilst wearing dark
lipstick and a dark red fur coat. The concept of identity and reflection is
something I have used throughout my project, as in my music video my artist
looks at her reflection in a puddle. This is because Indie Folk music is often
about identity and makes the audience feel self reflective and evaluative of
their own impact on society; hence my continuation of this theme throughout.
The CD holders and back page are all photos of trees/nature. This is because I am trying to convey the tone of the album, highlighting the soft type of music Birdy sings. Target audience members of Indie Folk will instantly associate themselves with albums of this look. The filters on these photos make the leaves and scenery appear sunlit and warm, making the album more appealing and eye catching. I also included a record label logo of ‘Manza records’ so that industrially audience members will begin to recognise the record label and associate it with this genre, helping to advertise the artist and the company at once. The copyright details are also included as well as typical generic conventions such as a track list and a barcode. These all contribute to making my product look as professional and as close to real-life media texts as possible.
The CD holders and back page are all photos of trees/nature. This is because I am trying to convey the tone of the album, highlighting the soft type of music Birdy sings. Target audience members of Indie Folk will instantly associate themselves with albums of this look. The filters on these photos make the leaves and scenery appear sunlit and warm, making the album more appealing and eye catching. I also included a record label logo of ‘Manza records’ so that industrially audience members will begin to recognise the record label and associate it with this genre, helping to advertise the artist and the company at once. The copyright details are also included as well as typical generic conventions such as a track list and a barcode. These all contribute to making my product look as professional and as close to real-life media texts as possible.
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